Difference between revisions of "11.14.1994"

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== "Memories" ==
 
== "Memories" ==
  
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1.) Don't Push  
 
1.) Don't Push  
 
 
2.) "Rice and Beans Dub"   
 
2.) "Rice and Beans Dub"   
  

Revision as of 06:10, 27 February 2006

"Memories"

Tressels Tavern 11.11.94


Disc 1

1.) Don't Push 2.) "Rice and Beans Dub"

3.) Right Back

4.) New Thrash

5.) Work That We Do

6.) 40oz. To Freedom

7.) House Of Suffering

8.) Badfish

9.) Leaving This Babylon (Bad Brains Cover)

10.) “Cool and Deadly” Dub

11.) We're Only Gonna Die

10.) Let's Go Get Stoned

11.) Poolshark

12.) Tuning

13.) STP

14.) Drink Break

Disc 2

15.) Loser

16.) Scarlet Begonias

17.) What I Got ’94 Version

18.) World of Inflation

19.) DJ's

20.) Saw Red

21.) Greatest Hits (extended version)

22.) Jailhouse

23.) 5446

24.) Date Rape

25.) Youth Are Getting Restless

26.) Romantic Girl (Winston Reedy Cover)

27.) Tuning Song

28.) My Age

29.) Slow Ride


The quality on this show isn’t the greatest as it seems like the mic seems to be on VOX. The patch on the guitar sounds like it is giving problems occasionally, too. After Don’t Push Brad jumps into this dub which I’m not sure that he sings on any of the other shows (I refer to it as the “Rice and Beans Dub”). This is one of the greatest dubs on all of the shows. Brad seemed to be either hit or miss on shows. This is a COMPLETE hit! He sings every song SO soulful. The effects that Brad are using during this show give it such a flavor. I get a laugh when at the end of 40oz someone asks if he needs a drink and Brad replies “That’s a DUMB question!” House of Suffering has such presence behind the lyrics that makes it sound so amazing. In the middle of Badfish, Bradley makes it apparent that the beer was flowing well that night, and says “I’ve gotta go, dude!” During the middle of Bad Brains cover of “Leaving this Babylon” breaks into a “cool and deadly” freestyle. Lets Go Get Stoned has such an appeal. “Lord Dread!” Brad does a bit of an extended solo. Poolshark from this show really shows the feeling Bradley wanted to express in this song.